THERE'S an aggressive undercurrent among artistic types, unleashed by Sinead O'Connor's alleged texts to Mary Coughlan threatening to break her face and leave her crying for her mammy.
It would have been funnier had it been Enya attacking Daniel O'Donnell and doing her Celtic mysticism. (She'd have to trudge her way through his foundation with a pickaxe first. ) In this week of scraps, young buck artist Cian McLoughlin wasn't getting away so easily for his crimes against humanity. Launching a sell-out exhibition of paintings at the Office of Public Works on St Stephen's Green to coincide with the centenary of Samuel Beckett? At 28? Who the f*** does he think he is, the little upstart? "Jesus, " McLoughlin told me, "I'm feeling pretty old today." Old? Does he want me to leave him crying for his mammy? "The centenary was a coincidence, " McLoughlin added. "I got lucky."
Lucky? "The pictures start at 1,200 for the smaller ones and the bigger ones, I'd rather not say."
In a good-natured exchange at the OPW, Michael Colgan asked Michael Gambon, "Are you Ian McKellen?"
"F*** off!" Gambon told Colgan. Was this a scoop? "Slave driver! Bunch of bastards!" Gambon lamented when Colgan left. "He said I've a bald head and how could he work with someone with a bald head?"
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