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PRET-REPORTER - Remembering Di
CIARA ELLIOTT

 


IT IS hard to believe it was 10 years ago this month since Princess Diana was tragically killed. I remember when the news hit as vividly as people a generation above recall hearing about JFK's assassination. Mid-argument on the phone that Sunday morning, I flicked on the TV to see those terrifying headlines, suddenly stunned, saddened and silenced by the news.

Even though Irish people don't go in for the Royals in a big way, something about Diana that captured our hearts. And now, as tributes are in full flight across the UK, it is fitting that we too have some representation of the respect we had for her.

Her role in fashion history cannot be overstated. From the moment she first stepped out in the early '80s, the blushing 19-year-old on the arm of Charles, it was all about the high-necked ruffled blouse, Laura Ashley-style skirt, the Sloane pumps and the puff-sleeved ballgown.

By the time her wedding rolled around she had mesmerised the public and the event was viewed by a record global TV audience of 750 million. In what became known as a 'meringue' dress of ivory taffeta and a 25ft train, designed by then British designer de jour Elizabeth Emanuel, this was the 'big' dress that set the trend in weddings for the next 10 years.

As she gained confidence Diana went from a gentle, romantic look in her early marriage to embracing a harder Crystal Carrington from Dynasty '80s style . . . all big shoulders and power suits and matching shoes and bags. This look softened in the early '90s and beyond as her iconic style came into its own. Her life really was cut off in its prime.

While we have all been blinded by images of Diana over the years, this iconic early shot never loses its freshness. Taken by renowned Irish photographer John Minihan it is on display at retail outlet Kildare Village until 31 August. For details see www. kildarevillage. com.




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